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CHANT - CHO…
CHARANGO
CITHARE
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CLARINETTE
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CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
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DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Note4Piano
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Prix + au -
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
473
PIANO & CLAVIERS
Piano seul
190
Orgue
34
Piano Facile
33
Piano, Voix
23
Piano, Voix et Guitare
6
Piano (partie séparée)
5
Instruments en Do
5
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
4
2 Pianos, 4 mains
3
Accompagnement Piano
2
Clavier
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Piano (duo)
1
Instrumentations suivantes
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GUITARES
Guitare
37
2 Guitares (duo)
18
Guitare (partie séparée)
11
Mandoline, Piano (duo)
10
Guitare notes et tablatures
9
Mandoline
9
Orchestre à Plectres
8
2 Mandolines (duo)
3
Ukulele
1
Basse electrique
1
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
Instrumentations suivantes
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VOIX
Chorale SATB
83
Chorale 2 parties
32
Chorale 3 parties
26
Chorale TTBB
14
Chorale SSAA
10
Chorale SSAATTBB
6
Chorale Unison
4
Voix duo
4
Voix basse, Piano
2
Voix Soprano, Piano
2
Voix Soprano
1
Voix Tenor, Piano
1
Voix Mezzo-Soprano, Piano
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
37
Quatuor de Saxophones: 4 saxophones
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Saxophone (partie séparée)
24
Hautbois, Piano (duo)
18
Flûte, Hautbois, Clarinette, Basson
15
Saxophone Alto et Piano
11
Quatuor de Clarinettes: 4 clarinettes
11
Quintette de Saxophone: 5 saxophones
10
Clarinette et Piano
10
2 Flûtes traversières (duo)
9
Flûte traversière
9
Clarinette
9
Saxophone Tenor et Piano
8
2 Saxophones (duo)
7
2 Clarinettes (duo)
7
Clarinette (partie séparée)
5
Saxophone Soprano et Piano
5
Hautbois, Basson (duo)
5
Hautbois (partie séparée)
5
Quatuor de Flûtes : 4 flûtes
4
Quintette de Clarinettes: 5 clarinettes
4
Saxophone Alto
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flute (partie séparée)
3
Flûte, Hautbois, Basson
3
3 Flûtes à bec (trio)
3
Ensemble de Clarinettes
3
2 Hautbois (duo)
2
Trio de Flûtes: 3 flûtes
2
Ensemble de Flûtes
2
3 Clarinettes (trio)
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Clarinette (duo)
2
Flûte à bec Alto, Basse continue
2
Flûte à bec Soprano, Piano
2
Flûte, Violon
2
Quatuor de Flûtes à bec
2
Saxophone Baryton, Piano
2
Clarinette et Alto
1
Clarinette, Alto et Piano (trio)
1
2 Clarinettes, Basson
1
Hautbois, Guitare (duo)
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto, Piano
1
Flûte, Clarinette et Basson
1
Clarinette Basse
1
Flûte à bec, Harpe
1
Flûte, Clarinette, Piano (trio)
1
Clarinette Basse, Piano
1
Flûte traversière, Basse continue
1
Flûte à bec Soprano
1
Saxophone, Clarinette (duo)
1
2 Flûte à bec (duo)
1
2 Cors Anglais Et Pianoforte
1
Quintette de Flûte : 5 flûtes
1
Ensemble de saxophones
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Alto
1
Flûte, Alto et Piano
1
Clarinette, Harpe (duo)
1
3 Saxophones (trio)
1
Piccolo, Piano
1
Clarinette, Violon (duo)
1
Clarinette, Basson (duo)
1
2 Clarinettes, Piano
1
Cor anglais, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Trombone (partie séparée)
23
Trompette (partie séparée)
18
Trompette
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trombone et Piano
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trombone
9
Cor
9
Trompette, Piano
9
Cor et Piano
7
Tuba
7
2 Trompettes (duo)
5
Cor (partie séparée)
5
Euphonium
4
Euphonium, Piano (duo)
4
2 Trombones (duo)
4
Tuba (partie séparée)
3
Trombone basse
3
Ensemble de Trompettes
2
Quatuor de cuivres: 4 trombones
2
Quatuor de cuivres: 4 cors
2
Quatuor de Cuivres
2
Tuba et Piano
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Tubas (duo)
1
2 Cors Anglais Et Pianoforte
1
2 Cors (duo)
1
Trombone, Orgue
1
Cor anglais, Piano
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
128
Violon, Violoncelle (duo)
90
Trio à Cordes: 2 violons, violoncelle
56
Violon et Piano
50
Violon
39
Harpe
38
Violoncelle, Piano
37
Violoncelle (partie séparée)
30
Trio à Cordes: violon, alto, violoncelle
19
Violon, Alto (duo)
19
Violoncelle
17
Alto, Piano
16
2 Violons (duo)
11
2 Violoncelles (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Violon (partie séparée)
8
Alto seul
6
Contrebasse (partie séparée)
6
Alto (partie séparée)
4
Harpe, Flûte (duo)
4
Contrebasse, Piano (duo)
4
Contre Basse
3
2 Altos (duo)
2
2 Contrebasses (duo)
2
Harpe, Violon (duo)
1
Violon, Guitare (duo)
1
Harpe, Violoncelle (duo)
1
Harpe et Piano
1
Alto et orchestre
1
Alto et Harpe
1
3 Harpes
1
Violoncelle, Contrebasse (duo)
1
Alto, Violoncelle (duo)
1
2 Harpes (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
118
Orchestre à Cordes
51
Orchestre
35
Ensemble Jazz
22
Ensemble de cuivres
20
Cloches
15
Orchestre de chambre
12
Batterie (partie séparée)
5
Jazz combo
5
Marimba, Piano (duo)
3
Ensemble de Percussions
3
Orchestre, Violon
2
Batterie
2
Vibraphone
2
Percussion (partie séparée)
2
Fanfare
2
Marimba
1
Piano et Orchestre
1
Marimba et Orgue
1
Instrumentations suivantes
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AUTRES
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Demand Music
Guitare
Partitions à imprimer
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Comme un voyage
Guitare
Guitar solo - easy - Digital Download 10 Easy Pieces. Composed by Laurent Meneret. Th…
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Guitar solo - easy - Digital Download 10 Easy Pieces. Composed by Laurent Meneret. This edition: Sheet music. Downloadable. Schott Music - Digital #Q21031. Published by Schott Music - Digital
'Comme un voyage' is a series of ten solo pieces inspired by Oriental music, tango as well as by Baroque, Celtic and Romantic music. It is particularly suitable for pupils as it makes increasing technical and musical demands while taking them on a journey through various kinds of musical styles: From 'L'oasis', an Orientally inspired piece with drone bass, via 'Cordoba', a tango with complementary themes, and 'Melodie celtique', a piece with a Breton touch, to the romantic and longing 'Romance' or 'Etude romantique', a piece of arpeggios. Great complementary material for music teaching.
$12.99
11.98 €
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Guitare
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Laurent Meneret
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Comme un voyage
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Schott Music - Digital
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SheetMusicPlus
Suite in E Minor
Guitare
Guitar - intermediate to advanced - Digital Download Composed by Silvius Leopold Weis…
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Guitar - intermediate to advanced - Digital Download Composed by Silvius Leopold Weiss. This edition: Sheet music. Downloadable. Chanterelle #Q47055. Published by Chanterelle
German - English.<br> <br> Silvius Leopold Weiss (1686-1750) is considered to be the most important lutenist of the Baroque. His works captivate the lute through their elegance and sublimity. The present work was originally in F minor. It is one of the few works of Weiss which when played on the guitar, retains its ease of playing and sound characteristics without having to resort to scordatura. Musically appealing and technically not too demanding, this work makes a most valuable addition to the guitar repertoire.
$10.99
10.13 €
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Guitare
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Silvius Leopold Weiss
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Suite in E Minor
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Chanterelle
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SheetMusicPlus
Moment Musical No.3 for Classical Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.951399 Composed by Franz Schubert.…
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Solo Guitar - Level 4 - Digital Download SKU: A0.951399 Composed by Franz Schubert. Arranged by Andrew Howes. Romantic Period. Individual part. 2 pages. Andrew Howes #6049715. Published by Andrew Howes (A0.951399). A new classical guitar arrangement of one of Schubert's classic piano miniatures for intermediate to advanced players - UK grades 7/8. it is part of my standard repertoire and has some good technical demands.
$5.00
4.61 €
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Guitare
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Franz Schubert
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Andrew Howes
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Moment Musical No.3 for Classical Guitar
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Andrew Howes
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SheetMusicPlus
Beginning Rock/Pop Guitar Etudes
Guitare
Guitar (rock & blues) - Beginning-Intermediate - Digital Download Composed by Ada…
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Guitar (rock & blues) - Beginning-Intermediate - Digital Download Composed by Adam Douglass. Rock. E-book and online video. 32 pages. Mel Bay Publications - Digital Sheet Music #30648MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117679.<br> <br> Is the beginning stage of learning the guitar proving to be a frustrating experience? Do you lack songs which you can play from start to finish? Do the ones that you can play all the way through not sound much like their original versions? I have been teaching these pieces to my beginner students for quite some time now, and the success rate has been remarkable. Most methods start by having the student slowly move back and forth between basic chords using only down strokes, playing chords one note at a time to make sure all the notes ring clear. This book offers something much differentaplaying music! The pieces are designed to target trouble areas often experienced by beginners of the instrument: arching the fingers enough in order to let all the notes of a chord ring clearly. Rather than just droning on through a series of chords, musical patterns are created so that as you learn proper technique youare also playing something musical. The results have been better than expected. Focusing on figures that demand proper technique and some of the most common strumming patterns found in popular music, many of my students are able to execute beginner and intermediate level songs within a few weeks of picking up the instrument rather than a few months. Additionally, the dreaded F chord, or root 6 major barre chord, often rings clearly with all 6 notes being heard upon the first attempt. This book will help you achieve your guitar related goals quickly, more efficiently, and most importantly, more enjoyably. Includes access to online video.
$12.99
11.98 €
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Guitare
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Adam Douglass
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Beginning Rock/Pop Guitar Etudes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Easy Concert Pieces
Guitare
Unterricht - Konzert - Guitar - Gitarre. Easy Concert Pieces. Downloadable. Op. 1. S…
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Unterricht - Konzert - Guitar - Gitarre. Easy Concert Pieces. Downloadable. Op. 1. Schott Music - Digital #Q44645. Published by Schott Music - Digital
English • German.<br> <br> For use in lessons or for your first concert performances - Easy Concert Pieces for Guitar contains easy and well known solo pieces carefully selected according to technical and musical demands: Volume 1 Easy, Volume 2 Intermediate. Besides original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor or Carcassi there are readily playable arrangements of classical masterpieces such as Vivaldi's "Four Seasons", Handel's "Firework Music", Mozart's "Magic Flute" or Verdi's "Chorus of the Hebrew Slaves". These arrangements are designed to give access to masterpieces of the concert repertoire and to promote enjoyment of classical music. With recordings of all pieces for download.
$16.99
15.67 €
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Guitare
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Easy Concert Pieces
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Schott Music - Digital
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SheetMusicPlus
Guitar Finger Independence Method
Guitare
Guitar - Intermediate - Digital Download SKU: M0.30969MEB Folk. Ebook and online au…
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Guitar - Intermediate - Digital Download SKU: M0.30969MEB Folk. Ebook and online audio. 137 pages. Mel Bay Publications - Digital Sheet Music #30969MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30969MEB). ISBN 9781513472911. 8.75X11.75 inches.As a guitarist, have you ever dreamed of playing contrapuntal bass lines and melodies? Or maybe you would like to sound more like a pianist, able to perform fluently with independent right and left hands.Playing multiple lines simultaneously can be one of the most physically and mentally demanding challenges posed by the guitar. Using the concept of planted notesùa fretting-hand finger that remains in place while the other fingers play scale-like passages or arpeggiosù this book will methodically guide you towards right and left-hand finger independence.Written in standard notation and tablature, this no-nonsense revolutionary method is the first of its kind. Together with 95 online audio recordings, it will help you build finger independence in both hands, approaching that of a pianist. Includes access to online audio.
$24.99
23.05 €
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Guitare
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Guitar Finger Independence Method
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Latinitas for Solo Guitar
Guitare
Composed by Alfonso Montes (1955-). For Guitar (Classical). Latin American. Beginning-Inte…
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Composed by Alfonso Montes (1955-). For Guitar (Classical). Latin American. Beginning-Intermediate. E-book. 32 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610652841. Some of the best known Latin American rhythms are included in this collection carefully graded from beginner to intermediate level. For this book Mel Bay asked an expert on Latin American music, world celebrated guitarist-composer Alfonso Montes, to put together all his expertise to come up with real Latin sounding pieces keeping the technical demands within reach of beginner and intermediate players. Latinitas, besides being full of beautiful melodies and captivating rhythms, should act as an introduction for guitarist of all ages to this fascinating music. Standard notation only. New Latin American pieces for pedagogical purposesPicking studies in 7 keysNew solos in diverse Latin styles for concertsBegins study of Latin American folk and popular musical formsCarefully graded to move at a user friendly paceUnmatched in comprehensivenessIncludes access to online audio.
$9.99
9.21 €
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Guitare
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Alfonso Montes
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Latinitas for Solo Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Mel Bay Modern Guitar Method Complete Edition
Guitare
Composed by Mel Bay and William Bay. Modern Guitar Method. Ebook and online audio/video. 6…
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Composed by Mel Bay and William Bay. Modern Guitar Method. Ebook and online audio/video. 679 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30506MEB). - ebook and online audio/video - - Mel Bay Publications - Digital Sheet Music
ISBN 9781619114968. 8.75 x 11.75 inches. The Mel Bay Modern Guitar Method Complete Edition is known worldwide for the incredible array of music presented, the thoroughness of educational music content and ease of understanding. The method contains hundreds of solos, duets, picking studies, chord etudes, position studies, scale and technique etudes, lessons in theory and harmony and much more! Every key and every position on the guitar fingerboard is thoroughly taught. Music is presented by many of the great master composers such as Bach, Chopin, Tchaikovsky, Handel, Grieg and also renown guitar composers such as Sor, Tarrega and Carcassi. The styles of music presented in this exhaustive course range from Early Music to Jazz to Bluegrass and Country to Rock. This method will equip any guitarist to perform the demands of modern music with ease and will transition the guitar student from beginner to virtuoso. This comprehensive method contains all of the music found in the Mel Bay Modern Guitar Method Expanded Edition volumes 1 through 7 and comes with extensive online audio and video.
$39.99
36.88 €
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Guitare
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Mel Bay and William Bay
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Mel Bay Modern Guitar Method Complete Edition
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
CLASSICAL GUITAR TUNES - ENGLISH FOLK SONGS
Guitare
Guitar - Intermediate - Digital Download Classical. E-book. 49 pages. Mel Bay Publica…
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Guitar - Intermediate - Digital Download Classical. E-book. 49 pages. Mel Bay Publications - Digital Sheet Music #30947EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459844. 8.75x11.75 inches.<br> <br> This book presents 42 English folk songs arranged for the intermediate classic guitarist in standard notation with phrase and dynamic markings plus light fingering. The collection includes popular melodies like Sprig of Thyme, Seventeen Come Sunday, and Blow the Wind Southerly, but also lesser known but no less beautiful tunes like Cupid the Pretty Ploughboy, Dabbling in the Dew and Saucy Sailor. All the arrangements present the basic tune faithfully and simply before offering more elaborate and sophisticated variations suitable for concert performance. Without compromising their sophistication, these polyphonic arrangements are elegant and idiomatic to the guitar, all but devoid of excessive physical demands; even barre chords are kept to a minimum so the player can relax and focus on tone and interpretation. The primary objective of this collection is to draw attention to these deserving melodies, some of which are now rarely heard. Longtime fans of the genre will recognize a few songs once performed by folk-rock groups like Steeleye Span and The Fairport Convention, here presented anew for the solo classic guitar. Its an excellent collection - good to play for pleasure, good for learning and consolidating rhythm, good for sight-reading. Just marvelous. It should meet a lot of needs. Gilbert Biberian These are very accessible arrangements of 42 English folk tunes, some of which are familiar and many others which deserve to be better known. They are all tuneful and have interesting harmonies and rhythms in arrangements which will be well within the reach of intermediate guitarists. These fine settings would be useful pieces for a teacher looking for supplementary material and also for the performer looking for unhackneyed repertoire. They are thoughtfully presented with good fingering and phrasing, with idiomatic guitar writing and interesting harmonies. Congratulations to Peter Worley for presenting this compendium of gems from a lesser known tradition. Gerald Garcia.
$12.99
11.98 €
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Guitare
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CLASSICAL GUITAR TUNES - ENGLISH FOLK SONGS
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Solo Now!
Guitare
Guitar - easy - Digital Download Preparatory Book. This edition: Sheet music. The E…
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Guitar - easy - Digital Download Preparatory Book. This edition: Sheet music. The EGTA Series. Downloadable. Chanterelle #Q54655. Published by Chanterelle
English - German.<br> <br> Easy and accessible guitar solos with minimal demands on the left-hand so that the student can concentrate on a stable relaxed right tirando technique. Other techniques such as apoyando, tremolo, simple chords, tambora and rasgueado are also covered. This primer was planned to precede the 3-volume Solo Now! series, but is suitable as a stand-alone easy solo book.
$11.99
11.06 €
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Guitare
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Solo Now!
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Chanterelle
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SheetMusicPlus
The Collected Guitar Studies
Guitare
Guitar - intermediate to advanced - Digital Download Composed by Leonard Schulz. This…
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Guitar - intermediate to advanced - Digital Download Composed by Leonard Schulz. This edition: Sheet music. Downloadable. Chanterelle #Q47959. Published by Chanterelle
English.<br> <br> This edition presents all Schulz's known studies, and they demonstrate the composer at his best. Many of the studies are technically demanding, often with focus on specific and sometimes unusual techniques or right-hand fingerings. They also have a rich harmonic language, thus displaying an instrumental and compositional proficiency beyond that of the average guitarist at the time. In quality the Schulz studies may be compared to those by Giulio Regondi.
$21.99
20.28 €
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Guitare
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Leonard Schulz
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The Collected Guitar Studies
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Chanterelle
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.46 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.46 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.46 €
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Guitare
#
Richard Strauss
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Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.46 €
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Guitare
#
Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Twenty Etudes For Guitar Vol.1 No.1-10
Guitare
Solo Guitar - Digital Download SKU: A0.955439 Composed by Neal Fitzpatrick. Contemp…
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Solo Guitar - Digital Download SKU: A0.955439 Composed by Neal Fitzpatrick. Contemporary,Instructional. Individual part. 27 pages. Neal Fitzpatrick Editions #6169435. Published by Neal Fitzpatrick Editions (A0.955439). This set of Etudes For Guitar is Vol.1 No.1-10 from Twenty Etudes for Guitar by Neal Fitzpatrick. These are performance etudes that also provide conventional technical demands associated with playing the guitar. These pieces engage some of the wonderful idiomatic elements of the guitar-arpeggios, scales, tremolo, harmonics, tonal contrast and harmonic richness while at times exploring possibilities outside of conventional forms. They can be performed alone or in any set desired by the performer. These works are in standard notation. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$19.99
18.43 €
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Guitare
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Neal Fitzpatrick
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Twenty Etudes For Guitar Vol.1 No.1-10
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Neal Fitzpatrick Editions
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SheetMusicPlus
J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.905205 Composed by Johann Sebastian Bach. Arranged by Aleksander Wilgos. Baroque. Individual part. 2 pages. Aleksander Wilgos #5792131. Published by Aleksander Wilgos (A0.905205). Here is my transcription of Bach's Chorale Prelude BWV 639. The title Ich ruf zu Dir, Herr Jesu Christ means: I call to You, Lord Jesus Christ and is famous for it's simplicity and profoundness. Prelude is composed for organ and it's original tonality in F minor. I transposed it to more guitar friendly tonality D minor.I loved the way Paweł Pawlikowski used the piece in the last scene of his Oscar winning movie Ida, so I took the liberty to transcribe it. It is quite demanding but totally worth an effort. The music is beautiful! Enjoy!Listen my recording of the piece: htpps://www.youtube.com/watch?v=Ep-TqzUGwmACheck out my other transcriptions: htpps://www.youtube.com/user/aleksanderwilgosMore about me: htpps://www.facebook.com/wilgos.guitar/
$6.00
5.53 €
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Guitare
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Johann Sebastian Bach
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Aleksander Wilgos
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J. S. Bach - Chorale Prelude BWV 639, arr. for guitar
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Aleksander Wilgos
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SheetMusicPlus
Summer Idyll
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1236980 By Andrew Howes. By Andrew…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1236980 By Andrew Howes. By Andrew Howes. 20th Century,21st Century,Classical. Individual part. 2 pages. Andrew Howes #832517. Published by Andrew Howes (A0.1236980). This is the finale of my 'Eyeworth Suite' for the classical guitar, and it describes a tranquil, sunny afternoon by Eyeworth Pond in the New Forest, Hampshire, UK, and is written as a response to a seasonal cycle of four poems by my friend, the poet, David Dayson. The work is gentle and reflective but demands a high level of technique as a lot of it takes place around and above the twelfth fret. There will be no 'dusty bits' on your guitar after playing this one! :-)The whole suite is available either as single movements or as a complete work. The complete work is also available with tab. and consists of 'Prelude', 'Autumn', 'Winter', 'Spring' and this movement, the 'Summer Idyll' and intersperses two episocdic, lively movements between the two rhapsodic outer movements, with the doleful Winter in the middle - this does however, have a lively Yule Dance in 6/4 at its heart.
$4.00
3.69 €
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Guitare
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Andrew Howes
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Summer Idyll
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Andrew Howes
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SheetMusicPlus
He's A Pirate
Guitare
Guitar - Level 4 - Digital Download SKU: A0.1326741 Composed by Geoffrey Zanelli, H…
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Guitar - Level 4 - Digital Download SKU: A0.1326741 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Dan Jones www.danjonesguitarist.com. Classical,Contemporary,Film/TV. 31 pages. DanJonesGuitarist #914884. Published by DanJonesGuitarist (A0.1326741). The Theme from Pirates of the CaribbeanArranged for Guitar Ensemble by Dan Jones www.danjonesguitarist.comArrangé pour ensemble de guitares par Dan Jones www.danjonesguitarist.comThe Theme from Pirates of the Caribbean is arranged for l'Ensemble Guitare de Basse-Goulaine. I would like to thank them for asking me to make the arrangement and for their hard work.Le thème de Pirates des Caraïbes est arrangé pour l'Ensemble Guitare de Basse-Goulaine. Je voudrais les remercier de m'avoir demandé de faire l'arrangement et pour leur travail.A single download of the sheet music will give you:(1) A title page(2) A score in notes and TAB(3) A score with notes only (to help directors with page turns)(4) All parts in notes and TAB(5) All parts with notes only.Un seul téléchargement de la partition vous donnera :(1) Une page de titre(2) Une partition en notes et TAB(3) Une partition avec notes uniquement (pour aider les réalisateurs à tourner les pages)(4) Toutes les parties avec les notes et TAB(5) Toutes les parties avec notes uniquement.www.danjonesguitarist.com.
$7.95
7.33 €
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Guitare
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Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt
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Dan Jones www
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He's A Pirate
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DanJonesGuitarist
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SheetMusicPlus
Vltava (Moldau)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1385473 Composed by Bedrich Smetan…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1385473 Composed by Bedrich Smetana. Arranged by Josef Mazan, Ph.D. 19th Century,Classical. Individual part. 2 pages. Josef Mazan #969453. Published by Josef Mazan (A0.1385473). This is an arrangement of Vltava (Moldau) by BedÅ?ich Smetana for classical guitar. I arranged it from the orchestral score. It is quite technically demanding. There is an influence of my guitar teacher, Å tÄ?pán Rak, as I use graneados and rasgueados, fast scales, and a melody with a tremolo accompaignment.
$3.99
3.68 €
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Guitare
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Bedrich Smetana
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Josef Mazan, Ph
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Vltava
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Josef Mazan
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SheetMusicPlus
Paisaje
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.1370301 Composed by Erik Otte. 20t…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1370301 Composed by Erik Otte. 20th Century,Contemporary. Individual part. 8 pages. Erik Otte #954677. Published by Erik Otte (A0.1370301). A demanding piece for solo guitar, from a serie of compositions dedicated to Federico Garcia Lorca. Based on his poem Paisaje.
$24.95
23.01 €
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Guitare
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Erik Otte
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Paisaje
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Erik Otte
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SheetMusicPlus
Asturias (Leyenda)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.955043 Composed by Issac Albeniz. …
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Solo Guitar - Level 5 - Digital Download SKU: A0.955043 Composed by Issac Albeniz. Arranged by Jim Bosse. Concert,Romantic Period. Individual part. 5 pages. Jim Bosse #4601783. Published by Jim Bosse (A0.955043). Issac Albeniz wrote this challenging piece for piano but it has become an integral part of the classical guitar repertoire. This arrangement for solo classical guitar is demanding, in the advanced level. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
1.84 €
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Guitare
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Issac Albeniz
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Jim Bosse
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Asturias
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Jim Bosse
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SheetMusicPlus
Guitar Sonata in F minor (Guitar Sonata No. 1)
Guitare
Solo Guitar - Level 5 - Digital Download SKU: A0.985320 Composed by Jeremiah Lawson…
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Solo Guitar - Level 5 - Digital Download SKU: A0.985320 Composed by Jeremiah Lawson. Contemporary. Individual part. 8 pages. Jeremiah Lawson #5370923. Published by Jeremiah Lawson (A0.985320). This is a single-movement, 8 page solo guitar sonata in F minor that I composed in 2000. My main inspirations were the late piano sonatas of Beethoven (especially Op. 111) and the late string quartets of Shostakovich (particularly No. 13). This is a very demanding work to play. Prescribed tempo should be no LESS than 152 bpm. The work is a traditional sonata form and includes large stretches as well as chords and melodies in harmonics played over continuously moving bass lines using conventional tones on the lower strings. .
$5.00
4.61 €
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Guitare
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Jeremiah Lawson
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Guitar Sonata in F minor
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Jeremiah Lawson
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SheetMusicPlus
Toy for Timothy
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.954946 Composed by Jim Bosse. Conc…
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Solo Guitar - Level 3 - Digital Download SKU: A0.954946 Composed by Jim Bosse. Concert,Contemporary,World. Individual part. 8 pages. Jim Bosse #4574667. Published by Jim Bosse (A0.954946). This is the third movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grandkids that I had at that time (2005). This version is for classical guitar solo. Most of the notes are there. It is fun to perform as multi-tasking is required, to play a percussion part with feet. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Toy for Timothy was written in a Native American style, highlighting this aspect of Timothy's genetic heritage. Performance time is 3 minutes and 42 seconds, with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
1.84 €
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Guitare
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Jim Bosse
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Toy for Timothy
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Jim Bosse
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SheetMusicPlus
Three Minuets
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.955040 Composed by Johann Sebastia…
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Solo Guitar - Level 2 - Digital Download SKU: A0.955040 Composed by Johann Sebastian Bach. Arranged by Jim Bosse. Baroque,Concert. Individual part. 6 pages. Jim Bosse #4601741. Published by Jim Bosse (A0.955040). These three minuets (G, Em, Am) are from the Anna Magdalena Notebook, originally for keyboard. This arrangement is for classical guitar solo. Performance time is 5 minutes with a demand level of early intermediate. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99
1.84 €
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Guitare
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Johann Sebastian Bach
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Jim Bosse
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Three Minuets
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Jim Bosse
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SheetMusicPlus
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